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When my co-writer and photo- grapher husband Terry and I aren't on the road doing research, and therefore don't need to move hotels every night or two, we prefer to try a few hotels in a city and then spend the rest of the time in an apartment. If we're working on a city guidebook for big cities such as Buenos Aires or Amsterdam or Milan, then we might spend a couple of months or more holed up in a place, pounding the pavements most days, writing in the afternoons and evenings, then heading out at night to try restaurants and bars. Our aim during these stints is to live like locals and get to know the locals as much as we can so we can find those hidden gems only locals and expats know about. Mallorca has been no different, except, because the island is small, we've spent just a couple of weeks in the city of Palma, and the rest of the time on the road, driving around the island. We spent two weeks in this sprawling, rustic-chic apartment in a renovated historic building in the old city owned by a lovely man (a former fashion designer) who has as much character and charm as the atmospheric accommodation he rents out. I found the place on Owners Direct, an excellent site which (along with vrbo.com) I've used all over the world and absolutely love because there's no middle man. You can check them both out here. Is renting apartments something you do when travelling? And how often would you rent and why?
So why is it that guidebooks romanticize destinations and that we’re much more likely to read the unpleasant truths about a place in poetry than we are in a travel guide? A travel editor’s argument might go, do readers really want to read about ugly places and the social problems of a destination they are dreaming about visiting? Who wants to destroy their dreams? (Because to destroy dreams is to destroy book sales.) But, the author might argue, how many travellers wants to arrive at a place only to be disappointed because it’s not as pretty as it appears in the portrait that the book has been painted? How many travellers want to get robbed because they’re ill-prepared and have let down their guard? Take Buenos Aires, a city that’s been flavour-of-the-month for a few years now, a city that the travel press frequently runs features on. Rarely is Buenos Aires’ high incidence of gun crime mentioned, nor the fact that not everyone has recovered from the 2001 economic crisis, nor that parts of the city are crawling with pickpockets preying on tourists, nor that travellers will see the cartoneros criss-crossing the city, trawling through people’s trash to collect cardboard to sell for recycling. Don't get me wrong, I love the city and I've written about it a lot. But do travellers really only want to read about tango and red wine? As travellers, do we not prefer to know the truth, to get a balanced perspective, and to be prepared? And then be pleasantly surprised?
I'm not sure if Sally Potter and her beautiful film The Tango Lesson were responsible or whether it's more indicative of a larger tendency in travel - to travel to learn - but the trend of foreigners travelling to Buenos Aires to take tango lessons is so extraordinary it constitutes a phenomenon. The dance has also enjoyed a revival among locals. Walk down any of San Telmo's streets in the early evening and glance through a door and you're guaranteed to see a traveller, young or old, in jeans and t-shirts, taking lessons from a dapper old gentleman in jacket and tie or a distinguished woman, her black hair pulled back into a ballerina's bun. There are tango schools all over the city and private lessons posted on notice boards at hostels and supermarkets. Hotels such as the wonderful Mansion Dandi Royal offer tango packages including lessons in their own tango salon. The most popular place to learn is in the splendid Confiteria Ideal, a faded old café with an atmospheric dance hall upstairs which operates classes day and night, followed by a milonga, or social dance, where you get to practice with the locals. You can read more about experiencing tango in our new book Buenos Aires Encounter, but what most fascinates me is the flourishing trend of experiential travel. Travellers want to educate their minds and stimulate their senses. Cooking courses in Tuscany. Arabic lessons in Damascus. Elephant trekking in Thailand. Wine-making in Napa. Travel choices increasingly seem to be as much about what to do as where to go. As the slogan of adventure and experiential tour operator iExplore says, people want to "come back different", while i-to-i, a site that offers volunteering experiences, teaching opportunities and community projects abroad, is all about "meaningful travel". I'm not so sure you need to do an organized activity or tour to fully experience a place. You can sign up for a course in something when you arrive. The important thing is to just go. Figure out what to do when you get there.
I've probably reminisced enough about San Telmo. I've told you about the lively weekend Feria de San Telmo that takes over Plaza Dorrego and floods Defensa street with a sea of people, and the marvelous Mercado de San Telmo where you must go and eat. But I want to tell you two more things. Apart from the delicious fresh food and colourful eateries, the mercado is home to compelling stalls crammed with bric-a-brac and tango memorabilia and cluttered shops trading in antiques and collectibles, vintage clothes and accessories, and all sorts of other fascinating curios. A 1940s Argentine movie poster, an original Carlos Gardel record, or a cobalt blue seltzer bottle, perhaps? As engaging as the shopping is - and you can while away hours here - you mustn't forget to look up at the skylights and admire the wrought-iron detail. The wonderful building, dating back to 1897, was designed by Juan Antonio Buschiazzo, an Italian-born architect who also created the ornate Recoletta Cemetery. What is it about that combination of atmospheric shopping and old architecture that is so appealing when we we travel?
As all good travellers know, there's nothing like a local fresh food market for picnic supplies, indigenous specialties, edible souvenirs (Dulce de Leche, anyone?), or simply a hearty meal. Wherever we travel, the local market is always one of our first stops; it's a window into the society, a microcosm of that city or country. The mercado de San Telmo is no exception and it's one of my favorite markets. Locals exchange gossip and laughter with the vendors as they select their purchases from the freshest of fruit, vegetables, cheeses, and meats, much better quality here than in the supermarket. Throughout the day porteños enjoy tasty Argentine favorites such as bife de lomo (tenderloin steak) or chinchulines (intestines!) from the colorful stalls inside or the simple parrillas (meat grill eateries) outside, while late at night they share beers and empanadas al fresco at the pavement tables with their friends. Experiences don't come more local than this.
San Telmo is a gritty suburb of skinny cobblestone streets with a mishmash of colonial and belle epoque architecture. It often gets a bad wrap, accused of being 'touristy'. But San Telmo is actually one of Buenos Aires' most bohemian barrios, with a working class population, uni students sinking cheap beers each night in its myriad bars, and emerging young artists and designers hanging their stuff in the cooperative fashion and art spaces. Weekends are when the 'tourists' literally flood San Telmo's streets for the lively street market, coming from all over Buenos Aires and beyond for the antiques, bric-a-brac and hippy handicrafts. Orchestras and bands perform on the pavements. Merchants sell hot nuts, corn on the cob and empanadas. The tango is danced on the street and after the markets are packed away locals fill the square of Plaza Dorrego for a milonga, or social dance. While we like the barrio of a weeknight when the streets can be eerily empty and quiet, and most people wandering them are locals, weekends are when we like San Telmo best, when the barrio really buzzes, and everybody enjoys being a tourist. Even if it's just for a day.
Remembering my days of journal writing at cafés and bars such as El Hipopotamo started a string of reveries about the bewitching Buenos Aires barrio of San Telmo. We rented an apartment in Buenos Aires for a few months earlier this year, using it as a base to research the city for a book. San Telmo was our home for the first two months. We lived like locals, getting our groceries at the little almacen, or general store, downstairs. We trod the same streets every day on our way back and forth to the Microcentro, Retiro, Monserrat, Congreso and other areas we needed to explore for our book. Every night we frequented our neighbourhood restaurants, cafés and bars, eating late like Porteños, as Buenos Aires' residents are called. And when we had to stay in to write we'd buy a bottle of Malbec downstairs and piping hot empanadas from the nearby empanaderia, watching football on television with the locals while we waited for our order. Faces became familiar and hanging out in the 'hood was something to look forward to. Why is it that we fly half way around the world to try and live as we would at 'home'? And why is it that living as much like a local as we can is so much more enjoyable than experiencing the place as a tourist?
Are you a journal writer? Do you keep a journal when you travel or does your blog suffice? When I was younger, before I became a professional travel writer, I used to keep journals whenever I travelled. I'd write most days, usually with a drink in hand, from my hotel balcony, an al fresco café or the window table of an atmospheric bar somewhere. Like this one at El Hipopotamo in San Telmo, Buenos Aires. I'd document my journeys and reflect upon my experiences and the people I had met. And I'd muse about the nature of travel more generally. I'd paste in labels, tickets, postcards, and other paraphernalia. Don't we all? But now, I find it impossible. I make random notes for a book my partner and I are planning to write about our experience on the road as we travel the globe, living out of our suitcases for 21 months. But mostly I'm too busy keeping the practical notebooks on cities and countries that are the basis of our research for the guidebooks and stories we write. They're crammed with business cards, notes from hotel inspections, reviews of restaurants, cafés, bars, clubs, sights, museums, galleries and so on, along with scrawled bus times, internet café details, driving directions, opening hours and prices, occasional jottings from interviews, and descriptions of landscapes and citiescapes and the people who inhabit them. I'd like to be able to return to the days of leisurely journal writing. In the meantime I'll admire other people's imaginative efforts, such as those of the 1000 Journals which are currently travelling the globe; the delightful treatsandtreasures.com, a blog by a journal keeper (thank you, Prêt à Voyager); and the exquisite journals of Dan Eldon, a travel enthusiast and photojournalist who died a tragic death in Somalia at 22. His beautiful but short life is documented on a website and in a book 'The Journey is the Destination' by his mother and sister. Do let me know if there are any other great travel journal blogs or books out there.
Each weekend the lively Feria de Mataderos, Market of Slaughter- houses, is held in Buenos Aires' outer working class suburb of Mataderos. It's a vibrant celebration of meat, gaucho culture and rural life, with barbecues, food and craft stalls, folk music and dancing, and the highlight of the day, the sortija. Skillful horsemen in traditional gaucho dress gallop down the street at top-speed. Standing in their saddles, they hold a tiny spear which they aim at a small ring dangling from a ribbon. The winners are those who succeed in spearing the ring and when they do the crowd erupts in cheers. The competition is exhilarating but just as exciting as seeing this spectacle is watching the people watch the event. Their faces reflect the intensity, focus, fear, anticipation, disappointment, and joy of the gauchos. It's about much more than enjoying a sport or tradition, it's about appreciating raw emotion and human spirit.