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GO Backpackers, Edmonton Alberta

GO Backpackers has gone through a lot of recent changes. The hostel has a full kitchen with a cozy dining room as well as many different common areas which include a TV room and a library/games room that you can kick back and relax in!

There are internet terminals available in the lobby and free WIFI is also available in the common areas. Coin operated laundry is up and running, though the hostel provides all bedding and towels, so there is no need to bring your own. There is also hair dryers in all of the female dorms and private rooms.

The Jekyll and Hyde pub downstairs is a good way to start off an evening of fun! Every Friday, the owners get up on stage and play live music, which is a real treat. Come by and check it out!

GO Backpackers is in the heart of downtown and within walking distance of the Legislature, the Edmonton Art Gallery, City Hall, the Royal Alberta Museum and the Shaw Conference Centre as well as a variety of restaurants. Additionally, the hostel is conveniently located near the LRT (lower rail transit) which gives quick access to places such as the Commonwealth Stadium, Rexall Place and the University of Alberta.

"Come by and stay awhile at GO Backpackers! Looking forward to hosting you!"

Hostel of the Week, October 12th to 18th 2009
submitted by Kennedy Jones
Backpackers Hostels Canada

The city of Florence is the capital of the Tuscan region of Italy and a city steeped in rich history and renaissance art. Lying along the river Arno, the city is a sheer delight to behold with its fantastic buildings and architecture. Florence is without question a “must see” for any young backpacker travelling across Europe - although it may not necessarily be the first city that springs to mind when you are planning your trip. Established in the year 59BC by the famous Roman Emperor Julius Caesar, it was originally an army camp for Roman army veterans. However, it is more famous as the birthplace of the Italian Renaissance during the middle ages with buildings constructed in the classical “Romanesque” style such as the Basilica Di San Miniato al Monte also helping to define the city of Florence and its architecture.


The main landmark of the city however is surely the fantastic Santa Maria del Fiore - a cathedral famed for its large dome - which remains open for visitors to the city to help them enjoy spectacular views of the city and its ornate buildings from up on high. Along the Arno is the Ponte Vecchio bridge which is also worth a visit for any tourist or traveler in Florence.

Travel 'experts', whether they are travel writers, guidebook authors, travel bloggers, tour guides, travel agents, hoteliers etc, are also 'real' travellers in my mind. Yet publishers and travel sites are frequently pitting the two against each other. Sure, the travel experts sometimes get special treatment and they can rarely shut themselves off from the act of reviewing, even when they're on holidays, but the fact is that they do take holidays and do travel like 'normal' people too. I book my flights and hotels online. I have to negotiate local transport like you do. I eat as many bad meals as I do good ones, and I also get allocated my share of crappy hotel rooms too. Yet increasingly the opinions of the experts - the people who stay in hundreds of hotel rooms a year, catch scores of flights, and talk to thousands of other travel experts and travellers - that is, the people who make it their business to accumulate vast travel experience and knowledge and develop skills at discernment - seem to be increasingly undervalued and overlooked in favor of the opinions of 'real' people. One example is the hotel reviews in Budget Travel (a magazine I love, by the way), such as this one which states that "Online reviews generally praise the hotel as an affordable gem with a fun, unique theme" and "Reader Dawn recommends Franklin Feel the Sound, where she stayed in June 2009. She writes that the Franklin exceeded her expectations and was excellent value". Frankly, unless I know who these online reviewers were and have more information about them and Dawn, I don't care what they think. I want to know how much hotel experience they've had, how many hotels in Rome they've checked into and inspected, and how many hotels they've stayed at fullstop, so I can then determine what their idea of "affordable" or "unique" is, and how different their expectations may be to that of other travellers. You see, travel experts know these things. What do you think?

Being able to spend a night in the restaurant kitchen of a Michelin-starred chef - in this case that of Pierre Gagnaire at Reflets, Dubai - is one of the delights of our job. It wasn't our first time - which was Bacchus at Read's, Mallorca, where we dined at the Chef's Table and Terry did a Master Chef experience with Felix Eschrich - but our night at Reflets was probably one of our most enlightening and educative experiences in a restaurant kitchen. And Terry and I have both spent a lot of time in kitchens. I worked in Sydney cafes to put myself through uni and during high school for pocket money, while Terry did a stint working weekend nights in the kitchen of a friend's Surry Hills bistro to keep himself out of trouble when I went to South America to do my masters. But these were no fine dining restaurants! It would be inconceivable to think that a chef in a Michelin-starred fine-diner would retrieve a salad he'd dropped intentionally on a dirty floor, plopping it back in a bowl to be served to an impatient customer as one drug-crazed cook did in the kitchen of a popular Balmain cafe I onced worked at. What I also find inconceivable, after these Michelin-starred kitchen experiences, are the abusive Ramsay-like tirades of the kind we see on Hell's Kitchen. Because the atmosphere we witnessed in both kitchens was one of calm. No yelling. No screaming. No chaos. Very little confusion. Over the course of 3.5 hours of service at Reflets, we only heard the head chef shout "Allez! Allez!" a couple of times and witnessed a few minor moments from the sous chef, irritated with the energetic expediter who could occasionally be a little too eager to send unfinished plates out. In stark contrast, the chefs were cool and composed, the kitchen quiet. There was still a buzz, a real energy about the place, but it was a positive one. Throughout the night, when not checking plates, watching his team or talking to diners, a patient Pierre Gagnaire took time to explain, answer questions, and even ask us about our work and travels. He brought us delicious morsels of food that we savoured - some foie gras here, lobster ice-cream there - while Head Chef Olivier Biles brought us bottles of water and periodically asked if we were okay. Servers ducked out of range of Terry's camera and apologised for getting in our way, when we were the ones clearly in their's. What struck us is how extraordinarily professional, how kind, and how hospitable chefs of this calibre can be. It's their generosity in such stressful conditions that is most remarkable. But then it really shouldn't be surprising because when we talk to chefs about why they do what they do, mostly they say they do it to give pleasure. And how very pleasing the experience was. I'll let you know when the story's out.

Pictured? That's me chatting to Pierre Gagnaire.

It's been a busy period for Terry and I, as you've gathered from the dearth of blog posts these last months. And we've got a lot of work being published to prove it, from a small 'Up Next' piece on Abu Dhabi in the September edition of National Geographic Traveler to half a dozen eco-experiences I wrote about in Rough Guide's Clean Breaks book. I saw our first edition Travellers Northern Italy guidebook for the first time in a bookshop in Dubai the other day too and got exhausted just looking at it - that was a tough trip. Although I know you don't believe me. We've always written for in-flight magazines, but we've been doing a lot more writing for them these past few months. If you're wondering why, it's because it's fun, the editors are lovely, easy to work with and respond to emails, it's nice to submit a story and see it in print a month or two later, and they pay on time. In September's Storytelling issue of Gulf Air's in-flight magazine Gulf Life, we have features on Abu Shady, Syria's last hakawati or professional storyteller and a review on the Sheraton Aleppo; while in the October issue, we have articles on Syrian sculptor Mustafa Ali; a new Damascus jazz duo comprised of opera star Rasha Razk and pianist Ghazwan Zerkli; and funky Zen bar in Damascus with its fabulous views. All feature Terry's gorgeous photos of course, as does a story on Doha Tribeca Film Festival director - he shot the stunning portrait of Amanda Palmer in the lobby of Doha's W hotel. We've got a bunch of stories in this month's issue of Jazeera's in-flight J Mag too, and in MPI's One Plus magazine a profile on Emirati Ali Al Saloom who is changing the way visitors to Abu Dhabi experience the UAE.