Our latest travel writing: in print and online
The sun is shining here today in Antalya, Turkey. The sky is cobalt-blue, there's a clarity to the light, a crispness in the air, and bird-song everywhere. It feels like Spring again!I've been so preoccupied with the Lonely Planet scandal, I've forgotten to share some things with you: our 'Dhows, Dolphins & Cigarette Smugglers' story on the magical Musandam Peninsula, Oman (pictured), a favorite weekend getaway of ours, is in the latest issue of one of our favorite Aussie travel magazines Get Lost. While currently in store down under, I'll also pop a PDF in my media bistro portfolio (see link to right), along with recently published stories, such as my shopping-focused Dubai guide for Ritz-Carlton magazine, a feature on Dubai's audacious architecture for Canvas, and a Macau piece for MGM's M Lifestyle. The April issue of Gulf Life, Gulf Air's in-flight mag, has a special on Entrepreneurs for which we interviewed four young go-getters in Dubai, Sheikha Maisa Al Qassimi (a real life princess and fashion entrepreneur), Shehab Hamad (a club, culture, life-style-setter) and Sunny Rahbar and Claudia Cellini (contemporary art gallery owner-curator-groundbreakers). The next issue features the Gulf's seven wonders of the contemporary world and a story on Abu Dhabi's Masdar initiative and Norman Foster-designed Masdar eco-city written by my co-writer Terry. We also have a 'Beyond the Beach' guide to Cyprus coming out in Jazeera's Airway's groovy J Magazine. Terry has written a three-day itinerary covering the Top Things to do in Dubai for Viator which just went live today, and there are more to come. We've also been doing destination guides to cities around the globe for Triporati. If you're planning a trip to Dubai, print off our exhaustive Best of Dubai guide which we wrote for National Geographic Traveller's Places of a Lifetime series, for which we spent several weeks collecting opinions, advice, tips, and even recipes, from chefs, sommeliers, food critics, cultural experts, DJs, music critics, shopping gurus, fashion experts, magazine editors, and other travel writers, on their favorite spots in Dubai; it's now up on the NGT website.
Decoding Lonely Planet’s explanation
BY TERRY CARTER* Lonely Planet placed a statement on their website in response to Kohnstamm's claims. This is how I read it:
LP: “Thomas claims that during his time as a travel author, he skipped visiting certain destinations, plagiarised from other sources and traded good reviews for in-kind favours.”
Skipping destinations? Plagiarism? This is the first time this has ever happened! I do love ‘in-kind favours’, though, it’s a nice way of phrasing some of Thomas’ deeds. Lonely Planet states in its books that writers ‘don’t take freebies in exchange for positive coverage’, printing the message on authors’ business cards. I’m no lawyer and I don’t play one on TV, but the text is a loophole so big you could drive a Carnival Mardi Gras float through (well, unless Thomas has sold the driver of the float some drugs). The thing is, an LP title is not a phone book and in some ways a review is positive coverage, even if you say ‘the toilets could be cleaner’ or ‘the owner is a grumpy old sod’. It’s in the book and therefore a recommendation and for businesses can mean the difference between LP-carrying kids turning up at your doorstep or bankruptcy. LP has reiterated to writers that there’s a no-comps/discount policy but it hasn’t changed the print on the cards or books, so the loophole still exists. They could have tightened it but haven’t. Why not?
LP: “There are three titles in print to which Thomas has contributed on-the-ground research. The affected titles are Chile & Easter Island (7th edition), South America on a shoestring (10th edition) and Caribbean Islands (4th edition). We have sent out author teams to fact-check all his material in these books.”
I hope they wear rubber gloves and protective clothing. A hint for the intrepid ‘author teams’ (by the way, how many writers does it take to check a guidebook?), it’s probably not a good idea to eat at any of Thomas’ recommended restaurants, but if you do, wipe the tables down first. When one of the ‘author team’ accidentally drops their business card on the floor, it would be a little embarrassing to see one of the staff break down and confess, “I did not have sexual relations with that travel writer!”
LP: “Thomas talks most about his work on Brazil (6th edition). This book is now out of print and has been replaced by the current edition. This has been fully updated, and Thomas has not contributed to it at all.”
Thank God for that. We can all sleep at night now. Well, except the thousands of people still using the last edition wondering why the ‘table service’ isn’t as good as it was when Thomas wrote about the place. Or why someone keeps knocking at the door of the hotel room asking if they want ‘the Thomas special’. ‘Out of print’ doesn’t mean ‘out of circulation’. I’ve lost count of the bookstores I’ve seen across the world selling ancient editions of titles and travelers using guides a couple of editions old. ‘Fully updated’ also does not necessarily mean every review which Thomas the Sex Engine wrote has been replaced. How about a Brazil 6 amnesty program? Send in your old copy and LP will give you a new edition, untainted by the debauched, drugged-up writing of the only LP author ever to do bad things.
LP: “Thomas has claimed that he was not paid enough to travel to Colombia when he was employed as an author on our Colombia guide. The fact is that Thomas was not employed as an on-the-ground author on that guidebook. This means that he did not write any reviews - of places or establishments - in this book. His contribution was to the introductory chapter covering history, culture, food and drink and environment. Two on-the-ground authors wrote the reviews for the Colombia guide.”
While this is actually true, Lonely Planet had known this book was coming out weeks ago and could have avoided a lot of criticism by saying, ‘we never required Thomas to go to Colombia, we never budgeted for him to go to Colombia. He was contributing background material to a book that didn’t require him to travel and was paid adequately for this work. It’s a rather odd accusation and calls into question the rest of his of claims about his experiences working for Lonely Planet.’ Why didn’t they do this the moment the story appeared? The best defense is offense.
LP: “We are also reviewing Venezuela (5th edition). Thomas did not contribute destination information to this guidebook, but did act in a coordinating role during its production.”
What did that coordinating role entail exactly? Did he seduce one of the writers or get them hooked on drugs? I can see how that mentoring aspect of the role could lead to something more sinister.
LP: “Thomas claims he was not paid enough by Lonely Planet to do the job without shortcuts. While we ask a lot of our authors, we lead the industry in the fees we pay, and are committed to a yearly review of author fees.”
The statement that LP leads the industry in fees is not true. Either LP doesn’t know that or they know it and don’t think anyone will call them on it. I am. We’ve worked for many of the big publishers and while Lonely Planet pays experienced writers reasonably well, they are in no way an ‘industry leader’. Especially considering LP keeps copyright, doesn’t pay royalties, and re-purposes content as they see fit. And while “we ask a lot of our authors” is a little ambiguous, if you’re doing an LP gig in the time-frame they recommend (and pay you for) that translates to 18-hour days, seven days a week if you’re doing your job thoroughly. It’s little wonder that authors like Thomas admit they wilt under the pressure.
Wouldn’t it be better if Lonely Planet asked a lot of their authors, but rewarded them well for their hard work and emotional investment in a book by giving them a sniff of a royalty? While I know there are a couple of writers making a good living from writing for LP, we were never willing to use the methods they did to get ahead. Which is one reason we stopped writing for LP and started writing for other publishers.
Perhaps the best way to make money from working for LP is to be rushed off to South America to fact-check a rogue authors’ claims. I hear that’s paying quite handsomely…
* Terry is my husband and co-author of and contributor to around 25 books for Lonely Planet.
The Thomas Kohnstamm Affair continues
The Lonely Planet author fraud scandal has taken more turns than we did on the switchback riddled roads of Crete on our most recent research trip there. Now referred to as the Thomas Kohnstamm Affair by the Guardian, Gadling and others, the controversy hasn't yet begun to die the death some might have predicted. Google the topic and you'll get some 255+ articles and climbing, including blog posts. And the stories are still coming. While the mainstream media initially resorted to sensationalist headlines and regurgitating content off feeds, with little in the way of analysis, recent coverage is more considered, reflective and opinionated, and often coming from first-hand experience. Others are still resorting to attention-grabbing headlines to pull in readers and in those cases the discussion that follows in the comments is tending to be more insightful (especially from travellers) and the revelations more compelling (from guidebook writers). Those worth a look include Travel publishers slam Lonely Planet (The Bookseller); Which guidebooks can you trust (Times Online); Postcards from the edge of travel writing (The Independent); Why guidebooks have to lie (Sydney Morning Herald blog); The truth about writing Lonely Planet guidebooks (The Guardian); Writer's story rattles Lonely Planet contributors; and Guidebooks: don't believe everything you read (Times Online); and Derelict vs. Duty (The Perrin Post, Concierge). Readers have been asking me to write more about the travel writing process here and although that wasn't my intention in starting this blog, that doesn't seems like such a bad idea now, if just to show that we're not all like Thomas Kohnstamm.
Strange Planet (part 2): fasten your seat belts, it's going to be a bumpy ride
BY TERRY CARTER* Those readers assuming that the form of Jayson Blair journalism practiced by Thomas Kohnstamm (and we can call it ‘journalism’ now that Lonely Planet is part of the BBC, can’t we?) is rife at LP would be wrong from what I know of my ex-colleagues. Those readers wondering if LP’s two hundred or so freelance writers have moral compasses always pointing to ‘ethical behavior’ might have reason to occasionally doubt a glowing hotel review or the vagueness of the write-up of a particularly far-flung dot on a map. They might also be wondering how the commissioning editors know that the writer who they’ve underpaid isn’t accepting the hospitality of a five-star establishment or sitting down to comp’ed meals, or is, in fact, even in the country. And they would be right to wonder.
Most of the time, the editor has never met the writer they’ve commissioned, let alone be able to look for track-marks on their arms and odd twitches while fending off inappropriate sexual advances or being asked for a loan, you know, just to tide them over until the advance payment for the commission goes in their account. But it would be absurd to imagine that late one night on you way home from dinner in a South American town that the guy going ‘psst, want some drugs’ is in fact researching an LP title and just wanting to make some extra cash.
However, I’m still baffled at LP’s editing process on this occasion. This armchair author’s chapter went through and they couldn’t even spot the fact that the writer never set foot in the country? And what about spotting the plagiarism? There’s clearly a need for some checks and balances rather than relying on simple blind faith (in the cult of Lonely Planet) in the people you’re underpaying. This has always troubled us about LP and Lara twice proposed an auditing process to LP; she was never even graced with a response to her suggestion.
But here’s the sting in the tail. Lonely Planet’s Piers Pickard told The Sunday Telegraph that the company’s ‘urgent review’ of Mr Kohnstamm’s guidebooks had failed to find any inaccuracies in them. Perhaps Pickard informed The Sunday Telegraph by email and they failed to notice the
This has me thinking that if a drug-dealing and debauched individual who never even sullied the soil of Colombia can turn in perfect prose on the subject (‘urgent’ review notwithstanding), perhaps LP could just save money on these pesky, needy, unfaithful, freelancers who are always crying poor and simply phone update all the books themselves from Melbourne? That could really save on those fees and author workshops.
Thomas, in the meantime, must be considering other career options (I doubt that the Travel Channel are keen) and the BBC must be wondering what the hell it just bought into. And the follow-up feature stories are going to make for interesting reading as journalists (particularly in Australia where LP is an Aussie icon) are already asking current and ex-authors some fascinating questions. The fasten seatbelt light is on.
* Terry is my husband and co-author of and contributor to around 25 books for Lonely Planet.
Strange Planet (part 1): an unusual tale of a travel writer who didn't have the itch
BY TERRY CARTER* I don’t want to waste too much time on the new book Do Travel Writers Go To Hell? by Thomas Kohnstamm as I haven’t read it and have no interest reading it (the reasons will become obvious in the post), but there’s a couple of things that are apparent. Lonely Planet can still dodge a bullet here (they’re lucky that a travel writer didn’t really set out to destroy their credibility) and Thomas Kohnstamm, perhaps egged on by his publisher is clearly trying to be travel writing’s Anthony Bourdain. But failing.
Having completed over a couple of dozen contracts for LP, it’s no secret to me that Lonely Planet’s fees won’t make you a millionaire. I’m living proof. LP relies heavily on the moral compass of its writers to not cede to the temptations of accepting freebies and cutting corners while on the road. One of the ways that they attempt to keep the compasses pointing to ‘good’ not ‘evil’ is by keeping its team of writers close to its bosom by making them feel involved in the company. I never felt close to LP (never thought I fitted in with their writing ‘style’ either), with their stifling political correctness, holier than thou attitude, and disingenuous ‘LP family’ shtick, but regardless, when you sign a contract, you should honour it.
By claiming that he never even went to one of the countries he was contracted to write about (Colombia) because it didn’t pay enough, Thomas Kohnstamm sets himself apart from every travel writer I know. If LP makes you an offer that isn’t enough, ask for more (explaining how you worked out your budget and daily expenses) or reject it. If it’s a break even job, a newbie writer looking for their first gig will end up gladly accepting the offer, after all, travel writing is the ‘best job in the world’™. Besides, a good writer can make as much money as the contract (Lara and I have generally made much more) by selling feature stories and photographs to magazines off the back of the trip. I don’t know why this is news to Kohnstamm, but the time for figuring out whether you’re going to make any money from a gig is during contract negotiations. And hell, it was COLOMBIA he didn’t go to and given that Kohnstamm admits to dealing drugs, surely an enterprising travel writer such as himself could see the synergy there.
The thing that offends me most about this whole affair is that travel writers do what they do because they love travel – first and foremost. I’m not talking about newspaper journalists who are writing obituaries one day then get rewarded with a three-day freebie at the Burj Al Arab, and return to write the obligatory glowing ‘review’. I’m talking about the writers who get the travel itch when a jet flies overhead. The ones who have a carry-on bag ready to go sitting in the hallway of their apartment or house. The ones who never really unpack. The ones with story ideas that fill notepads or sticky notes on their well-travelled laptops. The ones who have AC adapters for every wall socket known to mankind – and can tell you which country they fit. By feel. In the dark. The ones who never get tired of getting up on the first day in a new city and hitting the streets.
To these writers the thought of accepting a contract and not going to the country is absurd – the journey is the reward, not the barely adequate funds that get you there.
And actually telling people that you didn’t go is even sillier than not going in the first place. And blaming LP for turning you into a drug dealer to make ends meet is simply pathetic. A well-traveled writer would at least know how to paint themselves silver, stand on a milk crate and mime, or do that eternal dreadlock traveller special, juggling fire sticks. Really Thomas, LP was not your baby-sitter. LP didn’t owe you a living.
* Terry is my husband and co-author of and contributor to around 25 books for Lonely Planet